Mystery Solved, exactly 60 years after The Celtic Song first aired at Paradise

And there is a mystery surrounding The Celtic Song that Jamie Fox can enlighten us today….
Will the real Liam Mallory rise?

“They’re looking for him here, they’re looking for him there
These frenchies are looking for him everywhere
Is he in heaven or is he in hell?
This sacred elusive chickweed “

Celtic Song and John Thomson Song “New Lyrics” are attributed to Liam Mallory. However, the words of these Celtic classics did not come out of the pen of this mysterious and subsequently elusive character.

The lyrics of John Thomson’s song were roughly contemporaneous with the tragic death of the Celtic goalkeeper at Ibrox, while the Celtic song arrived, via Belfast Celtic’s Donegall Road house, in Glasgow around the same time than the arrival of the “clown prince”. of Parkhead ‘Charlie Tully in 1949.

Liam Mallory’s real identity was actually Clifford P. Stanton, who was the owner of a Parkhead record store and another music business on Gallowgate across from Barrowland. Glasgow Jazz Promotions, at 271 Gallowgate, was a typical 50s / 60s record store, with an emphasis on jazz and blues recordings, American imports and sheet music.

Cliff, a Londoner, recording director, music publisher, promoter and talent scout was one of the smartest and friendliest people in the music business. He has represented prominent folk artists such as Hamish Imlach and Josh McCrea, promoted “Riverboat Shuffles” on the Clyde, successful jazz concerts at St Andrew’s Halls and wrote a column in “Record Mirror”. He was certainly influential in the industry, even securing the services of music legend Tony Hatch as producer on Buddy Logan’s “The Rangers Song” (1961), another of Clifford’s projects.

Stanton was in charge of giving Glen Daly the opportunity to record the Celtic Song and John Thomson Song which were originally intended for the Beltona label. However, following impressive record pre-release orders, both songs were eventually released on the more prestigious PYE Piccadilly label.

Although an experienced variety artist, Glen Daly was an “overseas innocent” in the world of recording and music publishing. He did not realize, for example, that if no one claimed the rights to the lyrics or the music, they could be legitimately claimed by anyone who wanted to exploit them commercially. Realizing the sales potential of both songs, Cliff Stanton claimed the rights and, as a result, his “pen name” Liam Mallory appears both on records and on sheet music as a lyricist.


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